So on Saturday I was taken to the UCLA campus for the Los Angeles Times Festival of Books. It was enormous. As well as stages, and halls where you could watch writers talk (for free), there were hundred of booths, mostly of bookshops and publishers – Mystery books, christian books, independent comic producers, the sinister sounding ‘immigration enforcement publications’, the Aynn Rand people (apparently some kind of cult), healing books, self help, a pet bookshop. More than a hundred thousand people visit over the two days.
There was a green room for the writers, which, I was pleased to see, had a massive buffet all day long. I met a bunch more people in here – some comic writers, and Paul Tremblay who’d written ‘the Little Sleep‘, about a narcoleptic private detective.
I did a panel. I didn’t know what to expect and was quite surprised to see about three hundred people in the hall. Sarah Weinman was the moderator, and then me, the PI and this lady noir writer Denise Hamilton were asked questions and expected to talk. I tended to just answer the question, which took about two minutes, whereas the others produced beautiful extemporised essays that went on for ages. We were asked about crime and the social conscience, is crime writing all black and white or shades of grey, and should we write across class and race. I don’t think I was as polished and eloquent as the others.
I think my most coherent point was that whereas literary fiction tends to be psychological, and deal with one class, crime fiction tends to be sociological, and takes a vertical strip through society, from the lowest to the highest – as an example I cited Chandler, who would write about street hustlers and corrupt politicians in the same book.
Then there were questions from the floor, and they were all about the economy – should journalists give up their job and write novels? How will the Kindle affect publishing? I said I’d never even seen a Kindle and a guy held one up and said he’d just downloaded the first chapters of each of our books.
Indeed, if there was one thing I kept hearing, it was anxiety about a perceived crisis in publishing, particularly journalism. People just aren’t buying papers any more, apparently. There was a lot of talk about how to get money out of new media. It was telling that in the green room, the Amazon Kindle people had a table set aside for them in the middle and squatted there kind of aggressively, and no one else was talking to them. They were like emmisaries from this feared ogre.
I did a signing at the Mystery Bookshop. I got to sit next to David Benioff, who was this laid back guy who had got two million dollars for the Wolverine script. And he wrote the Kite Runner too. He was there to promote his new war novel. He signed a few more books than me, of course. He had been to Kashgar for the Kite Runner, cause since the writer’s strike there was now a clause in film contracts that the writer could demand to be flown once, first class, to the set. Someone kept up to him and said, ‘I read your screenplay!’ – Surely only in LA.
I went back to the hotel knackered about 6, and then went up to the resturant thinking that I would eat then sleep. But it was an off-puttingly posh restaurant that people had dressed up for, and the maitre’d said, if you want to eat alone we can squeeze you in there at the bar. So I had heard about this party and thought that trying to look for it was probably better than eating a posh meal on my own and there was bound to be food there. So I got a cab to Venice Beach and found the party, at Equator books, and fortunately they let me in, and I was like, shit there’s no food. The people I knew – Kortya and his agent – left straight away cause they had to catch an early plane. So I dulled my hunger with red wine and found some people to talk to, blathering at this playwright lady, Beth Henley, much of the time.
This important British writer was there – and he made a point of not talking to me, even though we’d been published together in an anthology once. I saw him at the festival the next day and he did it again – I’d been warned that LA was full of poeple puffed up with self-importance but the only one I met was British.
No, the yanks were lovely. It was striking how media savvy the writers were. it was like everyone was their own PR agent. I guess they’re very conscious that it’s a crowded market out there and you have to shout pretty loud to be heard. And I noticed that unlike, say, Hay, there was a real focus on shifting product.
Sunday was pretty much a wash out as I had been drunk, jet-lagged, often hungry and pumped with coffee for three days now. But I managed to drap myself out for a panel, which was really good, about the culture of fear. This one guy had a great argument, that the world now was so much more open to disruption, and that in those terms there were striking similarities between hedge fund managers and terrorists – which went down well. Good that when it came to questions, anyone who rambled was shouted at by other members of the audience to get on with it.
I suppose as a travel writer I should say what I thought of LA but I didn’t see much. The hotel was next to a freeway, and not only were there no shops within walking distance, walking as an activity was pretty much impossible. There were pavements around UCLA, but I saw more joggers on them than pedestrians. In the car I saw houses barrel past, no flats. So LA looked like endless suburbia. More like Japan than anything in Europe. There were a lot of palm trees. A sense of space. Huge cars. The few buses that I did see had an attachment on the front you could put your bike in, that was pretty cool. There was an earthquake button in the hotel lift. People talked about race a lot. They eat bacon that’s brittle as twigs.
Ok that was my LA adventure. I’m sure there are people for whom these jamborees are a grind, but it was my first and far as I’m concerned it was awesome – I word that I never heard anyone use, incidentally. Now I can dream about going back, this time as a two million dollar screenwriter.
